Heart Of Glass New Release Now Available

29 Feb

Heart Of Glass

Lia Swain didn’t intend to be the Glass House’s newest exotic dancer with her very own glass booth. Left with millions in debt by her late father and her mother’s mounting chemotherapy bills, Lia is forced to strip seductively for the vampire elite, even though she’s still a virgin. Buried in problems, she has no room for a man, sex, or love.

Alex Crawford is a sexy Original vampire from one of the wealthiest Strigoi families. He joins the prestigious Glass House and finds himself entranced by the beautiful and mysterious mortal, Lia. His brother was burned by a human mate, and he vowed to never let the same fate befall him. Yet he can’t deny the bloodlust he feels for Lia that rouses his inner beast. Her virgin blood compels him, and her sexy essence enslaves him. He vows to make her his.

Buy now at Bookstrand.

STORY EXCERPTS AFTER THE JUMP

Continue reading 

Three Kisses Of Lust

30 Aug
Three Kisses Of Lust - Erotic Romance (Menage)

Three Kisses Of Lust - Erotic Romance (Menage)

Three Kisses Of Lust 

Gia Carelli is a straight laced, A-list actress, who finds herself addicted to something she has never had. Dark and seductively delicious twins.
Liam and Aidan Wright, the sexy owners of Wright Studios are lucky in fortune, not so with love. They hatch the perfect soul mate plan using one of the studio’s movies and its star, Gia Carelli, as the chosen one. They agree that the onyx haired goddess is exactly their type.
Will Gia be able to fight her body’s response to their heat and her soul to their hearts?

Click to buy online through Bookstrand.com

Click to buy on Amazon


STORY EXCERPTS AFTER THE JUMP Continue reading 

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Heart Of Glass Now Available On Pre-Order

20 Feb

 

 

By: Dede Craig | Other books by Dede Craig Notify me of Dede Craig’s new releases
Categories: Erotic RomanceContemporaryParanormalVampires/Werewolves
Word Count: 59,450
Heat Level: SEXTREME
Published By: Siren-BookStrand, Inc.

PRE-ORDER!

AVAILABLE: Tuesday, February 28th

This title is offered at a 10% discount. Offer ends midnight CST, March 6th.

[Siren Classic: Erotic Paranormal Romance, vampires, HEA]

Lia Swain didn’t intend to be the Glass House’s newest exotic dancer with her very own glass booth. Left with millions in debt by her late father and her mother’s mounting chemotherapy bills, Lia is forced to strip seductively for the vampire elite, even though she’s still a virgin. Buried in problems, she has no room for a man, sex, or love.

Alex Crawford is a sexy Original vampire from one of the wealthiest Strigoi families. He joins the prestigious Glass House and finds himself entranced by the beautiful and mysterious mortal, Lia. His brother was burned by a human mate, and he vowed to never let the same fate befall him. Yet he can’t deny the bloodlust he feels for Lia that rouses his inner beast. Her virgin blood compels him, and her sexy essence enslaves him. He vows to make her his.

A Siren Erotic Romance



New 5* Review Received – Three Kisses Of Lust

18 Feb

Thank you to Book Reviews for their wonderful 5* review of my novella.

 

Reviewed by  Stephanie Rollins for BookreviewsRus.com
Gia is a famous actress.  Liam is her boss.  Liam feels the attraction between them immediately.  He wines, dines, and beds her.

He plans another night with her.  He sends a car for her and has his housekeeper make her comfortable while she waits; he is running late.  She falls asleeps and awakes with the tall, dark, and handsome man staring at her with lust in his eyes.  After a hot round of sex, they are interrupted by…..Liam.  That is right.  She just had mind-blowing sex with Aiden, his twin brother.

They like to share women, and Gia is about to warm up to the idea; however, being as famous as she is, how is she going to keep that out of the tabloids?

Wow!  The sex is, well, wow….The characters are great.  It is a fun read, and the sex is worthy of reading and rereading.

Final Edits Completed – What’s Next?

2 Feb

I have finally completed the edits for Heart Of Glass to be released at the end of February!

Next steps are for the manuscript to be finalized into the final draft. Then it’s one last review of all changes for approval. Et voila, the novel will be available for pre-order on the Bookstrand.com website before making it’s way to Amazon, Nook and other third party retailers.

For readers and writers that are interested….with e-publishing, from the time a manuscript is submitted to the time it is released is approximately three months.

Now it’s onto the next one xxx

Writer’s Problems. My Top 5 editing mistakes.

24 Jan

I’m doing a final read through after the final edits and can’t wait to mail it out and pop some bottles. For aspiring writers out there, here are my 5 most common mistakes all my editors have picked out. (Editors are angels or demons, but they do make a difference.)

1. Fragmented sentences.
2. Comma splices.
3. Use of ‘Britishisms’. i.e. Using UK terminology in an American set story.
4. Most editors use the Chicago Manual Of Style – so check this for correct usage of punctuation marks. E.g. Italics, song quotes, movie quotes etc.
5. Most editors use the Merriam-Webster dictionary as a reference. If your word is not in it, then it doesn’t exist. (I still can’t believe the peeps at MW have never heard of the word “disfluencies”? #WTF I say.)

PS. I don’t claim to have perfected any of these rules which is evident from my editor’s notes. It’s my third round and I’m still making the same mistakes. Live and learn. And learn. And learn. (<—Fragmented sentence)

=^.^=

Heart Of Glass Cover

24 Jan

Woot! Heart Of Glass, my latest story is scheduled for release on the iconic leap year date of 29 February 2012. Below is the sexy cover designed by Jinger Heaston.

Commas: The Quick And Dirty Guide

14 Nov

Comma splice anyone? The ubiquitous comma is the bane of any aspiring writer. More so for editors I can imagine. For readers, it helps to know this stuff so you can recognize bad grammar when you see it!

I don’t get it right all the time either, and often confuse myself over the correct usage of said comma. The following is probably the best info I’ve read thus far on the subject. It’s from a book called simply “English Grammar” by Rose and Purkis. Without further ado, here’s my quickie summary of the text:

  • A comma is used to separate anything that is a list. Not just nouns, but also adjectives, adverbs and verbs. E.g. She put her keys, lipstick, purse and perfume into her bag. (Note. There is no comma after ‘and’ as it’s a list. If she does something else then you would add a comma. E.g. She put her keys, lipstick, purse and perfume into her bag, and sighed.)
  • A comma is used to separate subordinate words, phrases or clauses from the main sentence. As in the above example. E.g. She put her keys, lipstick, purse and perfume into her bag, and sighed. 
  • A comma is used to restate or give further information on your subject. E.g. Sheila, who is a wrinkled whore, lives next door to me.
  • A comma is used when addressing a person. E.g. “Come here, Sheila, let me see you.” or “Hi, Sheila.”
  • A comma is used when an adverb modifies the sentence as a whole. Common modifiers are: however, nevertheless, but, therefore, of course, in fact, for instance etc. E.g. There are, in fact, many reasons for my behavior. Of course, not all of them are justified. The most important ones, however, are. (An exception to this is if the modifier ‘modifies a single word, and not the entire sentence. However’ is used to modify the word ‘much’ in the following sentence, therefore no comma is used. E.g. “She couldn’t forget him however much she tried.”
  • A comma is used between clauses whose subjects are different. E.g. She called for silence, but the kids continued screaming. In this case the comma comes after ‘but’ as the sentence following the comma has a different ‘subject’ to the subject before the comma. She is the first subject, the kids are the second subject, hence you use a comma.
  • In the editing process you’ll often hear about comma splices. This simply means that a sentence is spliced by a comma with no coordinating conjunction such as but, and, thus etc. E.g. Incorrect: “She went to his house, he wasn’t home.” Correct: “She went to his house, but he wasn’t home.”  There are two independent sentences, thus it needs a comma and co-ordinator. Of course, there are cases in writing where it makes no sense to have the comma. My advice? Either use a coordinator, or split the two independent sentences into two. It will save you some work during the editing process. Remember the comma always comes before the coordinating conjunction.
  • Exception. This is an important one.  If there is only one subject in the sentence then you do not use a comma. E.g. She called for silence but got no response. She is the only subject in this sentence. Some website advise that a comma always comes after a conjunction–this is not so. This is the one time this rule does not apply.
Of course a comma can also be used to show a pause in writing, but use it sparingly.  Confused yet? If you’re not sure, then put a comma! It helps to read and re-read rules on commas to drum it into your memory.

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Quickie: 10 Tips On Dialogue

13 Nov
  1. Ensure it defines the character
  2. It should fit the genre
  3. Reveals motivation
  4. Avoids uhm, mm, ahs
  5. Foreshadows
  6. Reflects emotion
  7. Sounds real
  8. Moves action forward
  9. Serves a purpose
  10. Is unpredictable
And a bonus #11 courtesy of the wonderful Kaitlin…11. Punctuation is still your friend.

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Heart Of Glass Accepted!

12 Nov

*Happy Dance* My newest novel is called Heart Of Glass and is Book 1 in The Heart Series. I’m thrilled it’s been accepted for publication by Siren Publishing. The release date has been set for February 2012, and in print June 2012.

Here’s a blurb:

LIA SWAIN didn’t intend to be The Glass House’s newest exotic dancer with her very own glass booth. But, left with millions in debt by her late father, and her mother’s mounting chemotherapy bills, Lia is forced to strip seductively for the vampire elite, even though she’s still a virgin. Buried in problems, she has no room for a man, sex or love.

When ALEX CRAWFORD, a sexy Original vampire from one of the wealthiest Strigoi families, visits the Glass House, he finds himself entranced by the beautiful Lia. His brother was burnt by a mortal woman, and he vowed to never let the same fate befall him. Yet, he can’t deny the bloodlust he feels for Lia that ignites his most primal urges. Her virgin blood compels him, and her sexy essence enslaves him. He vows to make her his.

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The Author’s Ultimate Revision Check List

2 Nov

This is the list I use when I revise. It also helps while you’re writing to make the revision process a lot less painful. Enjoy!

  • RUE – Resist the urge to explain. Give your readers credit. They will get it as long as you put the info in dialogue (spoken and inner) or action
  • Show Don’t Tell – As above, if you have a lot of backstory or description, rather use dialogue or action to impart the information. Let your characters move through a setting when describing their surroundings, rather than simply bullet point listing from your latest House & Home copy. E.g. GOOD – She traced her fingers across the delicate embroidery of the creamy silk cushion. BAD – There was a delicately embroidered silk cushion on the Hepplewhite Chair.
  • Know Each Character’s Motivation – Each character must have a reason for being in the scene. They either push the story forward, or help the main character. There’s no point giving a full paragraph of description to a character that does not benefit the plot or main character.
  • Tighten The Dialogue – Remove direct answers, make the dialogue interesting, avoid the “Ahs” and “Uhms” that’s used in normal conversation. Its recommended that dialogue be no longer than three sentences if possible.
  • End Each Chapter Earlier – try removing the last paragraph of your chapter, or making it shorter. RUE. See first point.
  • Kill Adverbs – Kill most words that end with “ly”. Rather tighten your words (see next point). Instead of “she cried loudly”, say “she bawled”.
  • Tighten Your Words – Use the strongest word possible to convey the emotion behind the action. Rather than “he angrily inserted the knife into the top of his leg”, say “he lunged the knife into his thigh.”
  • Describe Through Movement – Describe your scene by a character moving through it, rather than info dumping. See point 2.
  • Shorten As Tension Increases – Pace. I.e. Use longer sentences as the scene builds up, then shorter, then short, then BAM!
  • Move The Story Forward – If it doesn’t move the story forward, remove it.
  • # Bonus Revision Tips:
  • Read the story aloud or use the “Speak” feature on your computer, sit back and listen to your story
  • Replace “She” with “I” when reading to check your view point
  • Remove anything clichéd, overused, flat, lazy, boring, melodramatic, overeacting
  • Sentences structured as Subject—>Action read better. She (subject) ate (action). Helps you to avoid dangling modifiers
  • Make sentences shorter.
  • If you have to re-read your own sentence to understand it, change it.

Things to watch for:

  • Character/s lacks a real goal, motivation or conflict
  • Character doesn’t transform/change/grow
  • Characters sound alike (each ones needs to be different)
  • Characters are stereotypes
  • Not enough conflict and action
  • Stakes aren’t high enough
  • Too obvious/predictable
  • Scenes have no purpose – do not move story forward
  • Poor dialogue
  • Exposition – telling too much
  • Dialogue too direct
  • Repetition of words, phrases, actions
  • Talking about “nothing”
  • Dialogue doesn’t sound real
  • Too many filler words
  • Sounds too contrived
  • Basic typos, grammar, punctuation
  • Dialogue should define the character
  • Dialogue should reveal motivation
  • Dialogue should foreshadow
  • Dialogue should reflect emotion
  • Everything should serve a purpose
  • Every character should serve a purpose
  • Everything must serve a purpose don’t mention it if it doesn’t
  • Use smell/sight/touch/sound at least once per page.
  • Avoid “As”
  • Avoid dialogue verbs except “said”
  • End where the story begins
  • Action precedes dialogue. You react physically before you speak. People act faster than they talk.
  • Use one adjective (describing word) per noun (thing) “Stocky woman”
  • Use two adjectives (describing words) per sensation. Hot and heavy.
  • Describe setting/what character sees in three sentences max. In dialogue, no more than 60 words.
  • Use character’s name once per paragraph at the beginning, Then he/she afterward.
  • When two of same gender talk, use their names

First 10 points adapted from Source: http://learnedaboutwriting.blogspot.com/2008/05/ten-point-revision-strategy-rue.html, others from http://darkerotica.blogspot.com

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